Scott Pagano
Ernie Gehr wiki
Ernie Gehr (born 1943 in Milwaukee, Wisconsin) is an American experimental filmmaker closely associated with the Structural film movement of the 1970s. A self-taught artist, Gehr was inspired to begin making films in the 1960s after chancing upon a screening of a Stan Brakhage film. Gehr's film Serene Velocity (1970) has been selected for preservation in the United States National Film Registry. Gehr served as faculty at the San Francisco Art Institute. His films are distributed by Canyon Cinema in San Francisco.
Bruce Baillie wiki
Bruce Baillie (born in 1931, Aberdeen, South Dakota) is an American experimental filmmaker and founding member of Canyon Cinema in San Francisco. His film Castro Street (1966) was selected in 1992 for preservation in the United States National Film Registry.
Canyon Cinema website
Snow is considered one of the most influential experimental filmmakers and is the subject of retrospectives in many countries. In his 2002 Village Voice review of *Corpus Callosum, J. Hoberman writes: “Rigorously predicated on irreducible cinematic facts, Snow's structuralist epics—Wavelength and La RĂ©gion Centrale—announced the imminent passing of the film era. Rich with new possibilities, *Corpus Callosum heralds the advent of the next. Whatever it is, it cannot be too highly praised.” *Corpus Calossum was screened at the Toronto, Berlin, Rotterdam, and the Los Angeles film festivals amongst others. In January 2003, Snow won the Los Angeles Film Critics Association, Douglas Edwards Independent Experimental Film/Video Award for *Corpus Callosum. His numerous films have premiered in major film festivals all over the world. Five of his films have premiered at the Toronto International Film Festival (TIFF). In 2000, TIFF commissioned Snow with Atom Egoyan and David Cronenberg to make short films, Preludes, for the 25th Anniversary of the festival. Wavelength has been designated and preserved as a "masterwork" by the Audio-Visual Preservation Trust of Canada[3] and was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century .[4] In 2004, the film was named one of Canada's all time greatest films by the Toronto International Film Festival.[5]
Stan Brakhage, was an American non-narrative filmmaker who is considered to be one of the most important figures in 20th century experimental film.
Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly on to celluloid, fast cutting, in-camera editing, scratching on film and the use of double exposures. Interested in mythology and symbolism, Brakhage used his films to express his feelings about life, mortality, sexuality and innocence.
Brakhage's films are often noted for their expressiveness and lyricism.
